‘Traces of Being’
Nov 09, 2009
‘Traces of Being’ is the openings-exhibition of the 'Haarlem Kunstlijn 2009' in the Lichtfabriek in Haarlem, curated by Petra Spuijbroek. Participating artist are: Chrystl Rijkeboer, Alet Pilon, Eric de Nie, Alice Brasser, Jos de L'Orme, Michèle Baudet, Harm van Ee, Jeannette de Bruin, Simone de Groot and Marissa Evers. The opening was done by the famous art-hysterica 'Dolly Bellefleur'.
November 6,7 and 8 2009.
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Exhibition Hautnah
Oct 29, 2009
Some bigger photos of my work in Villa Rot.
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Opening ‘Hautnah’
Oct 27, 2009
I'm very pleased to be in the exhibition 'Hautnah', curated by Dr. Stefanie Dathe. She made a beautiful exhibition about 'Hair in art and culture'. The museum 'Villa Rot', in Burgrieden-Rot (Germany), is a small museum with bright, but intimate spaces and rooms, in which the work is beautiful presented.
I just can show a small part of the exhibition:
pict.1-my work. pict.2-Günter Weseler. pict.3-Nandipha Mntambo, Mandana Moghaddam.
pict.4- historical work and my work. pict.5 - my work. pict.6 - Bettina Zachow.
pict.7- Mariella Mosler. pict.8- Barbara E. Geyer. pict.9- Jenny Michel and Michael Hoepfel.
pict.10- Sekyung Lee. pict.11- my work. pict.12 - Ruth Marten.
pict.13- Günter Weseler, Ruth Marten, Nandipha Mntambo. pict.14- Mandana Moghaddam, Ursula Neugebauer. pict.15- Yael Davids.
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Hautnah
Oct 21, 2009
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’ Womensworkmagazine’
Oct 21, 2009
Check out this website: http://womensworkmagazine.com/
Working on ‘Here’s Dolly!’
Sep 21, 2009
The first try-out with the ladder.
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My next project; The legs of Dolly Bellefleur
Aug 20, 2009
For my next project I will crochet the famous legs of Dolly Bellefleur. I will combine this work with an older work. 'R's Escape' togethher with 'Here's Dolly!'
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Home sweet Home
Aug 16, 2009
The work contains 72 frames at the moment. I regard this work as finished now. Of course I will make one or two more whenever I stumble over frames I can't resist.
'Home sweet Home'
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Don’t fence me in
Aug 07, 2009
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‘Don’t fence me in’
2009
‘Don’t fence me in’, is voor mij synoniem aan; ‘Vrijheid van meningsuiting’.
Vandaag de dag een beladen veelgebruikte term vanwege de onvrede, angst en woede die binnen onze samenleving heerst. Als vertolker van deze onderbuikgevoelens en de vrijheid van meninguiting is Geert Wilders een waar icoon. Vanwege zijn standpunten hebben zowel zijn voor- als tegenstanders hem op een voetstuk geplaatst.
Wilders gebruikt zijn haardracht als identiteitskenmerk, ik gebruik dit kapsel als icoon voor zijn optreden, wat ik theatraal en gedramatiseerd vind.
‘De Kleine Zaal’ met zijn beperkte, afgesloten ruimte gebruik ik als podium voor mijn installatie ‘Don’t fence me in’ (‘beperk mij niet’). Het geheel toont zowel de onaantastbaarheid- als de kwetsbaarheid van deze boodschap.
‘Vrijheid van meningsuiting’ is een persoonlijk recht. Niet iets waar politici mee aan de haal moeten gaan en zo gebruiken voor hun eigen politieke programma.
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‘Don’t fence me in’, for me is synonymous with ‘Freedom of speech’.
Nowadays it is an emotionally charged, much-used term because of the dissatisfaction, fear and anger, within our society. The politician Geert Wilders became a true icon as the exponent of these emotions and the freedom of speech. Because of his opinions both his supporters and his opponents, have placed him on a pedestal.
Wilders uses his hair style as a ‘characteristic trademark’, I use this hairdo as a icon of his way of action, which I find theatrical and dramatized.
‘De Kleine Zaal’, a restricted, isolated space is used as the stage of my installation ‘Don’t fence me in’. This unity shows both the unassailability as well as the vulnerability of this pronouncement.
‘Freedom of speech’ is a personal human right. Not a slogan politicians use for their own political programme.
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Don’t fence me in - Maquette
Jul 20, 2009
I'm making this installation for a show at 'de Kleine Vishal' in Haarlem. This work will be in the window from August 7 until September 7.
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